A Gull's Christmas Day

I love my camera.

Happy holidays

Happy holidays

Found this amazing motion typography...
Spread the love :)

http://vimeo.com/7968634

The New Humans - "Fever"

So I've been missing from the blog world for weeks. Please don't blame my laziness, it's really because I was too busy.

What was I so busy with? Learning Adobe After Effects of course. It's one crazy program.
I love it.

I have come a long way since my last post. 10 weeks of the typography in motion class really made my wannabe-designer eyes open up.

Here's my final project, a typographic music video of "Fever" by The New Humans. Enjoy.

Self Image

http://www.youtube.com/watch?v=b0qFI6jnJ3g

My first of many "type diary" entries.

Enjoy!

(Type choice: Frutiger LT Std)

-hanchia

Future

I just watched the President's address to students.
I feel inspired. I will try my best to kick ass, so that later in life I can earn major bank and support my parents with everything they've ever dreamed of. And then I will donate to improve humanity.

That's the promise I'll keep to myself.

Good night America.

-hanchia

So I noticed I have abandoned my blog for too long...

I'm sorry, but I'm too busy with my life to share it with all of you.
Erm...

I've been working on a couple of things:
1) Website


2) Kung-fu Pets and Farmville
3)...eat?

That's pretty much it. But it's taking up a lot of time!
I just finished an internship in Taiwan, it was amazing. I'll always remember it, but I'm not sure what I can say about it...

Recently, I have started listening to American music again. Maybe it'll help me fit in better here in the US. When I came back from Taiwan, I felt quite out of place here culturally.
Actually, not just culturally... a lot of other things, too. I just don't feel at home here, I'm not sure why.
My English also became quite horrible (yes, worse than before).

In search of my childhood, I have been biking around Fremont. I'll share those pictures another time.

For now, let us enjoy some intense fan art of Doraemon.

For love and peace,
Han-Chia

2009 三國演義: 中日合資

Hi all.
Today is a very happy day because I found this


I am very flipping excited.
The best part is that it's already on Youku: http://v.youku.com/v_playlist/f2455069o1p1.html
The worst part is that the armors look too intense (especially 呂布). I like to see some more realism.

But overall, I'm in love.

I love China and Japan.

AFTER WATCHING THE TRAILER:
Nevermind, it sucks... :(
sigh

To Do List

People have been asking me, "What are you planning to do after you graduate?" My answer has always been, "I'm not sure, whatever life throws at me I guess."

Today, I realized something. My answer is like that because I have no clue what I'm going to do in life. I don't love money, I don't have a goal, I don't really have a career path as of now...

Almost 21 and I'm still clueless, this is not cool.

Alexander the Great was proclaimed King by the Macedonians at the age of 20. He pacified Greece and planned to enter Persia by the age of 21.

Sun Ce conquered most of Southeastern China and was enfeoffed as Marquis of Wu at the age of 20.

Date Masamune carried out his revenge against his father's murderers, killed his brother to take power, and conquered most of Oshu by the age of 22.

Do I not have ambitions?

I do, so I need to create a list of things I will like to accomplish within the next 60 years of my life:

-Bike around Taiwan island

-Trace my roots in Shantou and Fuzhou

-Spend a significant amount of time traveling around China

-Spend a significant amount of time traveling around Japan

-Spend a significant amount of time traveling around Europe

-Cross the United States from Pacific to Atlantic

-Make a legendary personal website

-Make an ass-kicking physical portfolio

-Write and publish a book

-Open an exhibition

-Paint something taller and wider than myself

-Be vegetarian for at least 1 year

-Read and understand all of the Four Books of Confucianism: 1)Great Learning, 2)Doctrine of the Mean, 3)Analects of Confucius, 4)Mencius

-Read the Four Great Classical Novels in Chinese: 1)Romance of the Three Kingdoms, 2)Water Margin, 3)Journey to the West, 4)Dream of the Red Chamber

-Attend a 1)concert, 2)opera, and 3)performance of immense cultural significance

-Buy a studio for my mother and I

-Do some intense charity work

-Teach and spread morals and ethics in some way

-Find the most beautiful woman and talk to her about love, life, and wisdom

Yea, I'll add to it when I feel like it.

Love life,

Kevin Han-Chia Chen

Home Sweet Home

Hello all, sorry about neglecting blogspot for so long.

Excuses? Projects, final projects, vacation, in Taiwan, you know... I've been busy.

Lots of things have happened since the last posting date. I haven't been exactly happy in Davis. I was always lonely, hungry, and stressed out. Now that summer is here, I knew it's time to get out and go home.

I'm in Taipei right now. Even though I've lived in the U.S. for 12 years, I still consider Taipei my home. It's great, I feel like I belong here... funny thing.

I love this place; I love the people, the culture, the history, the public transportations, 7-11, food, etc.

I'm currently living at my grandma's house in Muzha. It's a beautiful place. I wasn't born here, but many of my paternal relatives where (including my dad). Even though I'm not familiar with the place, I feel a strong connection with it.

Ching-mei River by the National Chengchi University

A great view

The market place in the busy morning

Honest people with the best vegetables in town

I love home.

-Kevin Han-Chia Chen

The Art is in the Detail: Secrets behind the Chinese Painting

I recently came across an art review article in the New York Times by Holland Cotter. It talks about Chinese art; its beauty, stories, and amazing examples in the Metropolitan Museum of Art. I have had the chance to be exposed to Chinese art (painting, chop, calligraphy, etc.) at a young age, so I know some things on the subject matter as well.

Cotter begins with a graphic explanation on the 13th century Qian Xuan’s painting, “Wang Xizhi Watching Geese.” Wang Xizhi is a famous 4th century Chinese scholar, and the father of classical calligraphy. He is also a model of living as a recluse. Cotter describes that Westerner love Asian art due to its serenity, simplicity, and grace. In fact, he explains that the serene subjects reflect the Chinese artist’s ideal for the perfect lifestyle. As a 15th century Chinese writer puts it, “A nice cottage. A clean table. A clear sky with a beautiful moon. A vase of flowers. No cares of the world.”

Qian Xuan's "Wang Xizhi Watching Geese"

Detailed View

However, I would like to point out that Cotter’s depiction of the “ideal life” for Chinese artists of the past is not absolutely universal. Many artists, poets, writers, and scholars have given their lives to their nation, their government, and the well-being of their people. In the Confucian model, people with extensive knowledge and skills should serve their nation. Wang Xizhi was a recluse because of the time-period he had lived in. During times of warfare, many scholars could not simply serve their nation. Instead, many literati chose to follow the Daoist model of an educated man, which was to live in a recluse and self-improve.

This topic reminds me of the choices modern designers have to face. There are designs made to show self-expression, and there are also designs made to alert the masses of a specific problem. One cannot define which is right or wrong, just like one cannot define the rights and wrongs in Daoist ideals and Confucian values.

Du Fu, Tang dynasty poet. During his time, China suffered from years of chaos and rebellion. Forced to move around the country due to warfare, he had a miserable and depressing life. He was wise and skilled, and wished to serve the government his whole life, but never had a chance to accomplish his ambition. He died in agony.

Li Bai, Tang dynasty poet. He lived in the same era as Du Fu. Du admired Li greatly for his beautiful and free poetry. Li Bai was a small bureaucrat, but he did not care for the social world nor Confucianism. In many stories and myths, he appears to be a free-spirited immortal. He was famous for his Daoist imagery and love for liquor.

Cotter talks about many other important artists. One of the most famous ones among them is Yuan Dynasty’s Zhao Mengfu, which the class has had a chance to learn about. Cotter mentions that Zhao Mengfu’s paintings were different; his style moved away from the realism and romanticism of the past. His twists and turns in the strokes are “alive”, and many subject matters were “awkwardly” painted, so the artist must have something to say. Cotter makes an interesting comparison of Zhao’s art to the fairly modern conceptual art. Conceptual art is art which began as an idea in the artist’s head. The idea then creates the art piece.

Zhao Mengfu's "Twin Pines, Level Distance"

Zhao Mengfu was royalty of the Southern Song Dynasty, but when the Mongols conquered China and established the Yuan Dynasty, he was forced to work for the Mongols. Later critiques have blamed him for “betraying” his country. For this reason, his calligraphy and art were viewed as always “imperfect,” because there were “problems” with his personality and values. Modern scholars have tried to decipher Zhao’s hidden messages in his awkward paintings. A popular explanation is that Zhao felt immense shame for working for the Mongol dynasty, which all of China viewed as the enemy. The only way he could express his angers and sorrows was through awkward art. One of the most famous ones is his “Qiao and Hua Mountains.” They were painted on opposite sides of each other; the Hua is supposed to be in the West, but was depicted to be in the East. Also, the trees below the mountains were painted to be too large and proportionally unstable. Perhaps the weird details were his way of quiet opposition against the government. This certainly was and always will be one piece of unsolved visual communication.

Zhao Mengfu's "Autumn Colors on the Qiao and Hua Mountains"

Read more at Cotter's article in the New York Times:
http://www.nytimes.com/2008/03/14/arts/design/14asia.html?_r=2&pagewanted=1&sq=wang%20xizhi&st=cse&scp=1